JIMI GLEASON: Vapor Wave - Digital Exhibition Catalog

Santa Monica, CA - William Turner Gallery is pleased to present Vapor Wave, a solo exhibition by Jimi Gleason,  opening April 5 and running through May 31, 2025.

Vapor Wave is Jimi Gleason’s most ambitious body of work to date. Utilizing a rich vocabulary of materials and styles, Gleason has built up gossamer thin layers of iridescent paint to create a series of paintings that are engagingly enigmatic. They confirm an artist at the height of his talent, confidently exploring the power of nuance and understated expression.

In this new series, vaporous ribbons of color play across lustrous surfaces that morph and shift as one engages them. The effect elicits a sense of unexpected revelry - much like the kind one might experience gazing across a lake in a predawn moment, captivated by the growing light as it caresses and undulates across the water’s surface.

And like water, Gleason’s surfaces are quietly in motion, their iridescent paints subtly shifting in hue as light plays across them. In some of the canvases, sharp diagonals bifurcate the compositions, providing dramatic structural rifts to these ethereal surfaces. The effect is a hypnotic and prismatic visual structure, where light, color and form intersect in ever-changing play. Gleason has a uniquely personal connection to water: he grew up surfing, and took up rowing in college. When he talks about his work he also talks about, “the way the light looks underwater,” and early mornings rowing when the calm water reflects the sky at dawn. 

Like many artists working in the Light and Space arena, materials and their catalytic visual effects are essential to their work. In Gleason’s case, he employs silver nitrate and pearlescent paints to activate his surfaces, which catch and reflect surrounding light, further engaging one’s sense of the surrounding space. Gleason is a leader in that next generation of Southern California artists to work in the Light and Space ethos, carrying the dialogue forward and using his work of art to explore the phenomenological properties of perception.

Born in Newport Beach, CA, Gleason received his BA from UC Berkeley in 1985. He studied printmaking at the San Francisco Art Institute before relocating to New York City, where he worked as a photo assistant and technician. Returning to California, Gleason was employed in the studio of Ed Moses for five years. Combining the disparate technical and compositional skills developed during his exposure to printmaking, photography and mixed media painting, Gleason is now the subject of considerable curatorial and critical attention. 

Gleason’s work is exhibited in significant public institutions, including the Hammer Museum, the Frederick R. Weisman Foundation, the Long Beach Museum, the Seattle Art Museum, and the Tucson Museum of Art.The artist’s paintings are actively collected by a growing number of major public and private collections around the world.

VAPOR WAVE

CASPER BRINDLE: NUMINA DIGITAL CATALOG IS NOW AVAILABLE

Santa Monica, CA - William Turner Gallery is pleased to present the exhibition catalog for Numina, Casper Brindle’s first solo exhibition at the gallery in four years. In the interim, Brindle has had numerous national and international exhibitions, including an extensive exhibition in 2022 at The Luckman Gallery, Cal State LA. Numina will run from January 25 - March 22, 2025.

Numina, presents two bodies of work, Light Glyphs and Veils, each of which involve dramatic investigations into light, color and the fluid, ever shifting nature of perception.  The exhibition ranges from painting to sculpture, and exemplifies Brindle’s restless experimentation and evolving modes of expression. The works are poetic, sensual and spatially dynamic. Utilizing automotive paints and pigmented acrylic, Brindle has created works that reflect and diffuse light in ways that are nuanced and engaging. 

A printed copy of the book will be available in either soft cover or in a limited edition hard cover. For information regarding obtaining a printed copy of the book please contact us via email.

NUMINA DIGITAL CATALOG

CASPER BRINDLE: NUMINA - Exhibition Postponed until January 25, 2025

CASPER BRINDLE: NUMINA
JANUARY 25 - MARCH 22, 2025
Opening Reception:
Saturday, January 25, 5-8PM

William Turner Gallery would like to extend our heartfelt sympathies to everyone impacted by the devastating fires in Los Angeles.

In light of these events, our upcoming exhibition, Casper Brindle: Numina, will now open 5-8 PM on January 25, 2025, a week later than originally scheduled. The gallery will continue to remain open during normal business hours,11AM-6PM Tuesday- Saturday, subject to safety advisories from The City of Santa Monica. Go to santamonica.gov or lafd.org for the latest fire & safety  information.

To our wonderful community of artists, patrons, partners, clients, neighbors, we hope you're staying safe and look forward to seeing you soon.

Resources and support for those who need it can be found at the following link:
https://www.lahsa.org/news?article=1014-resources-to-support-those-during-the-l-a-fires


Exhibition Catalog for PHENOMENA is NOW AVAILABLE!

The catalog from the latest show at William Turner Gallery, PHENOMENA, is out now! The catalog is available on the official William Turner Gallery website and includes images and insights from PHENOMENA. The exhibition is part of the Getty presented event PST Art, Art & Science Collide. PST Art is the largest event in the United States, featuring over 800 artists at over 70 institutions in Southern California. PHENOMENA showcases art by Charles Arnoldi, Natalie Arnoldi, Ryland Arnoldi, Kelsey Brookes, Alex Couwenberg, Franco DeFrancesca, Lawrence Gipe, David Lloyd, Ed Moses, Jeff Overlie, Melanie Pullen, and Jennifer Wolf.

PHENOMENA CATALOG

HYPERALLERGIC Names Mark Steven Greenfield a top 10 show to see in October

Mark Steven Greenfield, “Saartjie Baartman” (2020), gold leaf and acrylic on wood panel, 24 x 24 inches (~61 x 61 cm) (photo by Rob Brander, courtesy William Turner Gallery)

Auras features two bodies of paintings by Mark Steven Greenfield — Black Madonna (2020) and HALO (2022) — that reconsider the breadth of the Black experience in the Americas by excavating and reframing contested histories. HALO comprises portraits of influential Black figures, from the revered to the lesser-known, including Haitian Revolution leader Toussaint Louverture, famed magician Black Herman, and silhouette artist Moses Williams — formerly enslaved by Charles Willson Peale — portrayed as saintly icons surrounded by gold leaf. Black Madonna depicts a beatific ebony Madonna and child, while Ku Klux Klan members and monuments to white supremacy are vanquished and toppled in the background.

HYPERALLERGIC




LIGHT MATTER - PST ART: ART & SCIENCE COLLIDE - Exhibition Catalog Now Available

William Turner Gallery is pleased to present Light Matter, the first of two exhibitions, in partnership with the Getty’s PST ART: Art & Science Collide, which explore the intersections and influences between art and science.

Light Matter showcases the influences of scientific research on artistic process and intention, and builds on a collaborative experiment that began with LACMA’s innovative Art & Technology program, a collaboration between artists and industry that ran from the late 60s to early 70s.  As part of this initiative, Robert Irwin and James Turrell collaborated with NASA scientist and psychologist Ed Wortz at the Garrett Corporation. Together they developed a series of art and science-based investigations into the dynamics of perception, with a special emphasis on sensory deprivation. This intrigued Irwin and Turrell, who began to notice that perceptions were heightened after sessions in sensory deprivation tanks. Perhaps, they reasoned, the purpose of the work of art wasn’t as much about the work, as it was about the experience of perceiving the work.  Enter Light & Space in Southern California, where the emphasis shifted from looking at art as “object”, to art as “experience”.

Artists in Light Matter continue to expand on this notion, experimenting with the possibilities of their materials, often through scientific research and innovation, to achieve heightened visual effects that engage the viewer in the wonder of the phenomenology of perception. They utilize materials and approaches that  inspire the viewer to reflect - not only on “what” they are perceiving, but “how”. Many of the pieces require the viewer to interact with the works in unexpected ways - either by encouraging unusually active movement around, or stillness before, their works. The act of viewing engages the senses and heightens our sense of perception.

Light Matter includes work by Dawn Arrowsmith, Larry Bell, Casper Brindle, Shingo Francis, Jimi Gleason, Eric Johnson, Jay Mark Johnson, Peter Lodato, Andy Moses, and Roland Reiss.

EXHIBITION CATALOG