Digital Catalog for "Greg Miller: What's Goin' On" Out Now!

The digital catalog for Greg Miller: What’s Goin’ On is now available to view, offering a close look at the new works featured in Miller’s ongoing solo exhibition at William Turner Gallery. For those interested in a printed edition, physical copies of the catalog may be reserved by contacting the gallery directly. What’s Goin’ On is currently on view at William Turner Gallery and will be on view through Saturday November 7, 2026. 

ABOUT WHAT'S GOIN' ON: For more than three decades, Miller has developed a distinctive visual language from the fragments of American culture —advertisements, comic books, magazine clippings, Hollywood imagery, signage, and other remnants of the American visual landscape. Combining found materials with painting, photorealism, gestural abstraction, and collage, he creates densely layered compositions in which images and text collide, overlap, and acquire new meanings.

In What’s Goin’ On, Miller returns to the visual vocabulary of postwar America with a renewed sense of immediacy. Familiar images are extracted from their original contexts and reassembled into complex environments. His works invite close looking: a fragment of text, a familiar face, or a recognizable symbol can lead the viewer through unexpected associations and shifting narratives.

ABOUT THE ARTIST: Greg Miller (b. 1951) was born in Sacramento, California, and holds a Master of Arts degree from San Jose State University. A longtime resident of Venice, California, he currently divides his time between Los Angeles and Austin, Texas. His work is represented in numerous museum and private collections, including the San Jose Museum of Art, Newport Harbor Museum, Crocker Art Museum, Los Angeles County Museum of Art, Laguna Art Museum, Riverside Art Museum, Frederick R. Weisman Foundation, and Charles Saatchi Foundation. Miller was the inaugural artist represented by William Turner Gallery when the gallery opened in 1991. What’s Goin’ On continues this relationship more than three decades later, marking another chapter in the gallery’s presentation of an artist whose work has consistently explored the boundaries between painting, collage, popular imagery, and cultural memory.

Last Chance: Moses@100 Closes This Saturday!

Tomorrow is the last day to see Moses@100, William Turner Gallery’s ongoing exhibition commemorating the centennial of artist Ed Moses. Moses was instrumental to the establishment of Los Angeles as a hub of contemporary art – in his review of Moses@100, art critic Edward Goldman writes, “It is impossible to think of the history of the Los Angeles art scene without discussing Ed Moses (1926-2018).” Come see the exhibition this weekend before it’s gone!

Ed Moses was the subject of a major retrospective at MOCA Los Angeles in 1996, and in 2014 he showed at University of California Irvine where he had taught in the seventies. On the occasion of his 2015 drawing show at LACMA of works from the 1960s and 70s, organized by Leslie Jones, director Michael Govan commented, “Ed Moses has been central to the history of art making in Los Angeles for more than half a century.” That exhibition included more than 40 drawings promised to the museum by the artist.

Moses’ work is included in the collections of the Los Angeles County Museum of Art, Museum of Contemporary Art, The Hammer Museum, San Francisco Museum of Modern Art, Whitney Museum of American Art, and The Museum of Modern Art in New York.