Moses@100 Named 1 of Top 5 Things to do In August! - C Magazine

William Turner Gallery is honored that C Magazine has recognized Moses@100 as one of California’s five must-see experiences for August, and we invite visitors from Los Angeles and beyond to experience the exhibition while it remains on view.

For those who have followed Ed Moses’ work for decades, Moses@100 offers an opportunity to revisit the work of one of Los Angeles’ great artistic innovators. For those encountering Moses for the first time, the exhibition provides an introduction to an artist whose curiosity never diminished.

One hundred years after his birth, Ed Moses’ work continues to move, challenge, and surprise.

C Magazine writes: “Each month we share five unmissable things to see and do in the Golden State. You heard it here first.” The gallery is thrilled that the exhibition celebrating the art of legendary Calirfornia artist Ed Moses was considered one of the unmissable milestones of the month! 

Alex Couwenberg: Highline - Digital Exhibition Catalog & Video is Now Available

Alex couwenberg: Highline (70-Pages Fully illustrated print catalog available october 20)

A 70-Page Exhibition Catalog Available Soon - Contact Gallery to Reserve a Copy

Couwenberg’s work taps into the visual rhythms of Southern California, where headlights and taillights play a noir contrapuntal beat to sunlight skittering across waves or filtering in gentle patterns through window blinds on a summer morning. In fact, Couwenberg likens his process to navigating a city: full of green lights, stop signs, and unexpected turns and views. This interplay between control and spontaneity animates the work, producing compositions that simultaneously convey tension and resolution. The resulting pieces are both formally rigorous and emotionally resonant—vivid reflections of an artist deeply attuned to the aesthetics of movement, light, and the layered complexity of memory and lived experience.

Born and based in Southern California, Couwenberg channels the contradictory dialectics of the region: the soft luminosity of ocean vistas and open sky versus the relentless linearity of urban freeway systems. His method—a reductive and additive layering ritual—recalls an abstract archaeology: excavated textures meet precise hard‑edge forms in a personal vernacular built from cultural signifiers and industrial gestures.

A graduate of Art Center College of Design and Claremont Graduate School, Couwenberg studied with Karl Benjamin, a pivotal figure in defining Southern California’s hard‑edge abstraction. Other influences are deeply woven into Couwenberg’s practice as well, ranging from the Finish Fetish movement—surfboard, custom‑car gloss, resin surfaces created with industrial rigor—to Light & Space’s subtle manipulations of perception. Couwenberg’s work is represented in numerous museum collections, including the Frederick R. Weisman Museum, the Long Beach Museum of Art, Lancaster Museum of Art & History, Laguna Art Museum, Crocker Art Museum, and the Daum Museum of Art in Missouri. In 2007, he received the Joan Mitchell Foundation Award for painting.