Filtering by: art
Greg Miller: What's Goin' On
Sep
12
5:00 PM17:00

Greg Miller: What's Goin' On

Santa Monica, CA — William Turner Gallery is pleased to present What’s Goin’ On, an exhibition of new paintings by Greg Miller. Opening Saturday, September 12, from 5–8 PM and on view through November 7, 2026, the exhibition continues Miller’s decades-long exploration of American popular culture, memory, media, and the mythology of American life.

For more than three decades, Miller has developed a distinctive visual language from the fragments of American culture —advertisements, comic books, magazine clippings, Hollywood imagery, signage, and other remnants of the American visual landscape. Combining found materials with painting, photorealism, gestural abstraction, and collage, he creates densely layered compositions in which images and text collide, overlap, and acquire new meanings.

In What’s Goin’ On, Miller returns to the visual vocabulary of postwar America with a renewed sense of immediacy. Familiar images are extracted from their original contexts and reassembled into complex environments. His works invite close looking: a fragment of text, a familiar face, or a recognizable symbol can lead the viewer through unexpected associations and shifting narratives.

Miller draws upon the evocative language of advertising and mass media, where desire, aspiration, and consumerism became inseparable from everyday American life. His paintings function as a kind of visual archaeology, excavating the cultural residue of an earlier America while revealing its persistent presence in contemporary life.

The title What’s Goin’ On reflects the open-ended nature of this investigation. Rather than presenting a singular narrative, the exhibition offers a constellation of visual clues and fragments of stories—some recognizable, others deliberately obscured—inviting viewers to construct their own connections between image and text, past and present, personal memory and collective mythology.

At the heart of Miller’s work is a tension between nostalgia and critique. His imagery retains the allure of the culture from which it originates—glamorous, colorful, romantic, and often cinematic—while distressed surfaces, interruptions, and unexpected juxtapositions complicate that attraction. What initially appears familiar becomes unstable upon closer inspection. The past is not simply preserved; it is fragmented, reconstructed, and reconsidered.

Greg Miller (b. 1951) was born in Sacramento, California, and holds a Master of Arts degree from San Jose State University. A longtime resident of Venice, California, he currently divides his time between Los Angeles and Austin, Texas. His work is represented in numerous museum and private collections, including the San Jose Museum of Art, Newport Harbor Museum, Crocker Art Museum, Los Angeles County Museum of Art, Laguna Art Museum, Riverside Art Museum, Frederick R. Weisman Foundation, and Charles Saatchi Foundation.

Miller was the inaugural artist represented by William Turner Gallery when the gallery opened in 1991. What’s Goin’ On continues this relationship more than three decades later, marking another chapter in the gallery’s presentation of an artist whose work has consistently explored the boundaries between painting, collage, popular imagery, and cultural memory.

View Event →

In Conversation: Andy Moses with Curator Peter Frank, Moderated by Art Critic Shana Nys Dambrot
May
30
12:00 PM12:00

In Conversation: Andy Moses with Curator Peter Frank, Moderated by Art Critic Shana Nys Dambrot

At Laguna Art Museum...

Join renowned abstract painter Andy Moses in conversation with curator Peter Frank at the Laguna Art Museum on Saturday May 30th as they discuss Moses’s expansive career, creative process and evolving investigations of perception, light and space. Moderated by art critic Shana Nys Dambrot, the program offers critical insight into Moses’s work within the context of Southern California abstraction and contemporary painting today. The talk will open with a reception at 4:30, and the program will begin at 5:30pm.

Advance tickets recommended.

View Event →
Saturday @ William Turner Gallery: Hannah Sloan Art Tours + Pianist Tom Hiel
May
16
12:00 PM12:00

Saturday @ William Turner Gallery: Hannah Sloan Art Tours + Pianist Tom Hiel

This Saturday, May 16, William Turner Gallery is delighted to join Bergamot Station galleries in welcoming visitors from Santa Monica and LA communities for an afternoon celebrating art at the Bergamot Station Art Center Spring Open House. Admission and onsite parking are free.  

12:00 PM - Bergamot Station Art Tours with curator and art advisor Hannah Sloan

RSVP required: hannah@hannahsloan.com

(Please include number of attendees and time of tour — space is limited.)

3:30 PM - Piano Performance by Tom Hiel at William Turner Gallery

Spend the afternoon exploring a diverse range of galleries, exhibitions, and special programming while celebrating the spirit of contemporary art.

About Hannah Sloan:

Hannah Sloan is a Los Angeles–based curator and art advisor specializing in contemporary and photographic art. In 2015, she founded Sloan Projects, a gallery and curatorial platform dedicated to championing women artists and emerging voices in Los Angeles, later expanding its programming to include international artists with a focus on Central America. She now leads Hannah Sloan Curatorial & Advisory, collaborating with galleries, artists, and collectors across Los Angeles and New York.

HANNAH SLOAN

About Pianist Tom Hiel:

Tom Hiel is an award-winning composer and pianist who began his musical journey at the age of four. He is well-known for his compositions for solo piano and his extensive work in film and television scoring. He received an MFA in Music Composition from the California Institute of the Arts.

TOM HIEL

View Event →
CURTIS RIPLEY: HIGH FIDELITY Opening
Apr
25
5:00 PM17:00

CURTIS RIPLEY: HIGH FIDELITY Opening

Santa Monica, CA - William Turner Gallery is pleased to present Curtis Ripley: High Fidelity, an exhibition of new paintings by Curtis Ripley opening April 25, 5-8 PM, and on view through June 20, 2026. The exhibition unfolds as a visual composition: lyrical, atmospheric, and finely attuned to the rhythms of perception.

In Ripley’s paintings, glimmers of paint flicker and flare across darkened grounds, activating the surface with a sense of movement and light. Gestural curls and swirls interact with lines and dashes that guide the viewer’s eye in a choreographed passage across the picture plane. These marks are not merely expressive—they are structural, establishing a sense of tempo and poetic cadence that gives each work its internal coherence.

Forms in Ripley’s work do not resolve immediately. They hover, coalesce, and dissolve, shifting in and out of focus as the viewer’s attention lingers. Color behaves similarly: shapes emerge from the ground only to recede again, creating a continuous interplay between presence and disappearance.

The result is a dynamic tension between flatness and depth that remains deliberately unsettled. This instability gives rise to a pronounced sense of atmosphere. Gestural forms drift across layered fields of tone, while Ripley’s palette moves between moments of luminous intensity and expanses of saturated darkness. Subtle gradations of color produce fleeting effects — recalling distant light, reflective shimmer, or the charged stillness of a landscape at dusk. The paintings unfold perceptually, revealing themselves over time rather than at a glance.

Ripley’s practice occupies a space between the gestural immediacy of Abstract Expressionism and the immersive chromatic sensibility of Color Field painting. His work synthesizes these traditions into a contemporary language grounded in process, layering, and revision. While resonant with historical explorations of light and atmosphere, his paintings remain distinctly present—open-ended, responsive, and experiential.

Presented concurrently with Unrepentant Beauty by Roland Reiss, High Fidelity offers a complementary approach to perception—one grounded not in constructed illusion, but in painterly sensation and temporal experience.

Throughout a career spanning more than four decades, Curtis Ripley has exhibited nationally and internationally, with an extensive record of solo exhibitions. Born in Lubbock, Texas in 1949, he received his MFA from the University of Wisconsin, Madison in 1975.

Curtis Ripley, Valentine’s Day, 2026, Oil on canvas, 55” x 44”

View Event →