SHINGO FRANCIS INTERVIEW - Fondation D'Entreprise HERMÉS

William Turner Gallery is pleased to share a recently released interview with Shingo Francis where he discusses his artwork, influences, and inspirations for the “Interference” exhibition at Maison Hermès Le Forum in 2023. Le Forum is an exhibition space housed in a glass-brick building designed by Renzo Piano. Flooded with natural light that forms an integral part of its identity, it is an oasis of contemplation inviting visitors to discover contemporary art in the heart of Tokyo’s dynamic Ginza neighbourhood. Directed by exhibition curator Reiko Setsuda, Le Forum offers an international programme bringing Japanese artists together with others from all over the world.

In addition to sharing Francis’ newly released interview with Foundation d’enterprise Hermès, William Turner Gallery is thrilled with Francis’ participation in the Japanese Pavilion at the Ōsaka Expo 2025.

Born in Santa Monica, California in 1969, Shingo Francis’ work explores the expansiveness of space and spirituality in painting. Francis has participated in numerous solo and group exhibitions both in Japan and internationally. His works are held in collections such as the JPMorgan Chase Art Collection, Banco de España, the Frederick R. Weisman Foundation, the Mori Art Collection, the Sezon Museum of Modern Art, the Oketa Collection, the Tokyo American Club, the Ueshima Collection, and Tiffany & Co.

INTERVIEW WITH SHINGO AT FONDATION D’ ENTREPRISE HERMÉS

TIME LAPSE OF THE INSTALLATION

Le Forum is an exhibition space housed in a glass-brick building designed by Renzo Piano. Flooded with natural light that forms an integral part of its identity, it is an oasis of contemplation inviting visitors to discover contemporary art in the heart of Tokyo’s dynamic Ginza neighbourhood. Directed by exhibition curator Reiko Setsuda, Le Forum offers an international programme bringing Japanese artists together with others from all over the world.

What is “interference”? Under this title, the first exhibition of 2023 invites the public to find answers through experience. Four artists explore our perceptions through the effects on the body of stimuli such as light, vibrations or soundwaves. Through stripped-back aesthetics, each of these artists highlights the subtle variations caused by the interferences to which our bodies are subjected in everyday life. Visitors are invited to contemplate the nature of perception through deeply felt sensations both physical and unconscious. The title, “Interference”, is borrowed from a series of paintings by artist Shingo Francis (b. 1969, United States): containing pigments that interfere with light, the colours of these canvases shift according to the viewer’s position. Nearby, an installation by Susanna Fritscher (b. 1960, Austria) immerses the viewer in a sensory experience of vibrations and pulsations beyond the frequencies that we are capable of hearing. Finally, Bruno Botella (b. 1976, France) presents pieces that stimulate our subconscious perception through tactile sensation, while Aiko Miyanaga (b. 1976, Japan) invites visitors to embark on a cosmic journey – the ultimate sensation, transcending time and space – through a tea ceremony shared online.

Melanie Pullen + Shana Nys Dambrot - INCONVERSATION - June 19 @ 7PM

Please join us Wednesday, June 19, 2024 at 7PM for a conversation between art writer Shana Nys Dambrot and photographer Melanie Pullen.  Doors open at 6PM and the talk will begin at 7PM.  There will be refreshments served complimentary of the gallery and signed copies of Melanie’s exhibition catalog VOYEUR will be available for purchase.  

Shana Nys Dambrot is an art critic, curator, and author based in Downtown LA. Formerly the Arts Editor at the L.A. Weekly, she is the co-founder of 13ThingsLA, and a contributor to the Village Voice, Flaunt, Artillery, and other culture publications. She studied Art History at Vassar College, and is the recipient of the Rabkin Prize for Art Criticism, the Mozaik Future Art Writers Prize, and the LA Press Club National Arts & Entertainment Journalism Critic of the Year award. Her surrealist novel Zen Psychosis (Griffith Moon) was published in 2020.

Melanie Pullen’s (b. 1975) photography has been shown in major museums and galleries internationally and is permanently in the holdings of many of the most prominent public and private collections around the world including: Colección Jump, Mexico City, Mexico; Museum of Contemporary Art (MOCA), Jacksonville, Florida; The Frederick R. Weisman Museum of Art, Pepperdine University, Malibu, California; Nasher Museum of Contemporary Art, North Carolina; Howard Stein & the Forward Thinking Collection, New York, New York; Walker Art Center Museum, Minnesota; The Rand Collection, Santa Monica, California. Most recently the Getty Museum acquired several pieces from her High Fashion Crime Scenes which now reside in their permanent collection after being included in their exhibition: Icons of Style: 100 Years of Fashion Photography.

Her work has been featured in a number of publications including: The New York Times T Magazine; Los Angeles Times; Vogue; Esquire Magazine; ELLE; London’s Independent; Spin Magazine; W Magazine; Flaunt Magazine; 1814 Magazine; Rolling Stone Magazine and Vanity Fair. Pullen has published three photography books. Melanie was awarded the D&D Yellow Pencil Award. She currently lives and works in Los Angeles, California.

Pullen has published numerous books of her photography with notable fine-art publishers such as: Nazraeli Press and most recently in 2020 with Kodansha Press, in Japan.